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UNDERØATH reinvents the balance between chaos and harmony with each successive release. Their compositions, conjured from creative tension, become iconoclastic anthems. Even when the band almost combusts, the crackling energy coalesces into something deeply resonant for millions.
 
Their pair of gold albums and three Grammy nominations stand in stark defiance of the idea of commercial compromise. The Underøath catalog weaponizes noise, aggression, and ambiance as skillfully as melody. The combination of heaviness and headiness found on Define the Great Line makes it the only record of its kind to debut at No. 2 on the Billboard 200.
 
The heart of their sound, which delivers naked vulnerability with thrilling force and cinematic lushness, can be heard in generations of bands who’ve pursued their trail.
 
Walking an artistic tightrope between immersive access and isolationist otherness, Underøath owns the space between huge choruses and forward-thinking heaviness, both on record and onstage.
 

A group of tried-and-true musicians got together and found the sort of camaraderie and kinship you typically only find once in a lifetime. They didn’t overthink it. They didn’t waste a second. They simply left their blood, sweat, and tears on tape—like they’ve always done. For as much as Better Lovers represents the union of former Every Time I Die members Jordan Buckley [guitar], Steve Micciche [bass], and Clayton “Goose” Holyoak [drums] with The Dillinger Escape Plan frontman Greg Puciato [vocals], and musician (Fit For An Autopsy/END) and GRAMMY® Award-winning producer, Will Putney [guitar], it really cements the bond of five friends around a shared vision. That vision is as uncompromising, unapologetic, and undeniable as anything they’ve individually done, yet it’s refined by experience and a commitment to a future together. They’re in it for the long haul.
 
Jordan ended up back in Buffalo, NY, jamming with Steve and Goose during the winter of 2022. After working with Will on the last two Every Time I Die records, they shared a handful of early demos with him to produce. As the year progressed, Jordan caught Greg on the road with Jerry Cantrell in Las Vegas, mentioning the new music. Once ideas solidified, he shared them with the vocalist who replied at 3 am one night in December.
 
“The text said, ‘Let’s give these motherfuckers what they want’,”